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diff --git a/contrib/mom/examples/macros.mom b/contrib/mom/examples/macros.mom new file mode 100644 index 00000000..5e78f3e9 --- /dev/null +++ b/contrib/mom/examples/macros.mom @@ -0,0 +1,665 @@ +\# Basic page setup +\# +.PAGE 8.5i 11i \" Printer sheet size +.L_MARGIN 1i \" Left margin 1 inch +.R_MARGIN 1i \" Right margin 1 inch (calculates the line length) +\# +\# Refinements +\# +.KERN \" Automatic pairwise kerning +.SS 0 \" No extra space between sentences +.HY \" Hyphenate +.LIGATURES \" Automatic ligature generation +.SMARTQUOTES \" Enable smartquotes +\# +\# Basic type parameters +\# +.FAM T \" Times Roman family +.FT B \" Bold font +.PS 12 \" Point size +.LS 14 \" Leading (line spacing) +.LEFT \" Set lines flush left, nofill mode +\# +\# +.ALD |1i-1v \" Advance 1 inch from top of paper to first baseline +Example 1\*[BU2]: +.ALD .25v \" Advance an extra 1/4 linespace +.UNDERSCORE 3.75p "T\*[BU4]asting notes using padding, string tabs \ +and multi-columns" +.SP \" Add an extra line space +\# +\# +.FAM H \" Helvetica family +.PS 10 +.LS 11 \" New leading +\# +\# The following uses a combination of padding, string tabs, and the FP escape +\# to set up five tabs with 12-point (1-pica) gutters over the full line length. +\# +.SILENT \" Don't print the next line +.PAD "\*[ST1]VIN#\*[ST1X]\*[FP12]\*[ST2]ROBE#\*[ST2X]\*[FP12]\*[ST3]NEZ#\*[ST3X]\*[FP12]\*[ST4]BOUCHE#\*[ST4X]\*[FP12]\*[ST5]COMMENTAIRES\*[ST5X]" +.SILENT OFF \" Resume normal printing of text +\# +\# Now that the string tabs have been marked off, we "set" them. +\# +.ST 1 L \" First string tab flush left, nofill mode (no need for .BR's between input lines) +.ST 2 L QUAD \" Remaining tabs are flush left/rag right, fill mode +.ST 3 L QUAD +.ST 4 L QUAD +.ST 5 L QUAD +\# +\# +.TAB 1 \" Call first tab +.UNDERSCORE "VIN" +.TN \" Move to next tab and stay on the same baseline +.UNDERSCORE "ROBE" +.TN \" Ibid +.UNDERSCORE "NEZ" +.TN \" Ibid +.UNDERSCORE "BOUCHE" +.TN \" Ibid +.UNDERSCORE "COMMENTAIRES" +.TQ \" Quit tabs +\# +\# +.ALD 6p \" Advance an extra 6 points +.FT R \" Change font to roman (medium) +.MCO \" Turn multi-column mode on +\# +\# +.TAB 1 \" Notice that this tab gets set line-for-line +\*[IT]Peelee Island \" Set italic +\*[PREV]Gewürztraminer \" Revert to former font (roman) +2000 +(Canada) +.MCR \" Return to top of column +.TAB 2 \" Call tab 2; in multi-column mode, don't use .TN +Jaune pâle. +.MCR +.TB 3 \" Notice that from here on, we use the alias TB instead of TAB +Frais, fruité, ci\%tronné, arômes fortes de lichee et de fruits +tropicaux. +.MCR +.TB 4 +Doux, fruité, bien équilibré avec une bonne acidité. +.MCR +.TB 5 +Bon apéro. Servir avec des plats +.RW .1 +indiens ou \%chinois. +.RW 0 +.BR +Excellent rapport qualité/prix. +.MCX 8p \" Multi-column mode off; advance an extra 8 points +.MCO \" Re-invoke multi-columns for next wine description +.TB 1 +\*[IT]Carau Pujol +\*[ROM]Tannat +1995 +(Uraguay) +.MCR +.TB 2 +Rubis foncé, vio\%lacée, presque opaque. +.MCR +.TB 3 +Belles arômes de fruits foncés (prunes, cerises noires, cassis). +Odeurs tertiares de cuir, cèdre, violets, eucalyptus, avec une trace +exotique de Band-Aid*\*[BU12]. +\# +\# The \*[BU12], above, pulls the period back so that it falls +\# underneath the asterisk. \*[BP<#>] could have been used instead +\# if you prefer to use points rather than kern units. +\# +.MCR +.TB 4 +Très rond, tannins mûres et veloutés, avec un long finis fruité et +doucement alcoolique. +.MCR +.TB 5 +Superbe\|! Une aubaine à ne pas manquer. Prêt à boire maintenant. +.MCX 1v \" Multi-columns off; advance an extra linespace +\# +\# Now, an example of a hanging indent. This is excessively fussy +\# from a typographic standpoint in that it hangs the asterisk outside +\# the current left margin so that the text following it lines up with +\# with the text in the tasting notes. Notice that in order to use a +\# hanging indent, you must first set a left indent. +\# +.FT I \" Change font to italic +.PS -.5 \" Reduce point size by 1/2 point +.LS -.5 \" Reduce leading by 1/2 point +.JUSTIFY \" Set text justified +\# +\# Now, move the left margin back by the width of an asterisk plus 2 points... +\# +.L_MARGIN -(\w'*'+2p) +\# +\# ...and set a left indent equal to the width of an asterisk plus 2 points +\# +.IL \w'*'+2p +\# +\# Now, set the hanging indent equal to the left indent, effectively pulling +\# the first line of the following text back to the new left margin. +\# Subsequent output lines will be indented by the .IL amount. +\# Notice that when using the \w inline escape, there's no need to append +\# a unit of measure to it. +\# +.HI \w'*'+2p +*\*[FP1]The term "Band-Aid" means the slightly sweet, vaguely chemical +smell associated with medical-grade plastics. It is often found in +wines from terroirs in South America. Provided a wine has a sufficient +concentration of fruit +.RW .04 \" Kern the whole next line slightly, so "lipstick" doesn't hyphenate. +aromas and complex tertiary characteristics, Band-Aid is a Good Thing. +Otherwise, it smells like cheap lipstick. +.RW 0 \" Reset kerning to 0 +\# +\# Notice, above, that although the values for IL and HI are the width +\# of an asterisk plus 2 points, when setting the first line of text +\# (the one with the asterisk at the beginning), we put only 1 point of +\# space after the *. This is to compensate for the fact that in the +\# italic font, the letter T doesn't align visually with the rest of +\# the text. As already noted, this is an extremely fussy example. :) +\# +\# +\# +.IX CLEAR \" Cancel and clear stored indent values +.L_MARGIN 1i \" Reset left margin to its original value. +\# +\# +.ALD 2P \" Add 2-picas extra space before next example +.FAM T +.FT B +.PS 12 +.LS 14 +Example 2: +.ALD .25v +\# +.COMMENT \" COMMENT lets you enter comments without using \# or \" +In the next line, because the string to be underscored must be +enclosed by double-quotes, you can't use the double-quote character +itself around the word "Massaging". We circumvent this by using the +groff inline escapes \(lq and \(rq (leftquote and rightquote). +.COMMENT OFF \" Remember to turn COMMENT off! +\# +.UNDERSCORE 3.75p "\(lqMassaging\(rq \*[BP1]a passage of rag right text" +.SP \" Add an extra linespace +\# +\# +.PS 12.5 +.LS 14 +.PS -1 \" Reduce point size by 1 point +Passage using groff defaults +.ALD .5v \" Add an extra 1/2 line space +.PS +1 \" Restore point size +.QUAD LEFT \" Set quad left, fill mode +.IB 3P \" Indent 3 picas from both the left and right margins +.FT R +The thousand injuries of Fortunato I had borne as I best could; +but when he ventured upon insult, I vowed revenge. You, who so well +know the nature of my soul, will not suppose, however, that I gave +utterance to a threat. \*[IT]At length\*[PREV] I would be +avenged; this was a point definitively settled\(embut the very +definitiveness with which it was resolved, precluded the idea of +risk. I must not only punish, but punish with impunity. A +wrong is unredressed when retribution overtakes its redresser. +It is equally unredressed when the avenger fails to make himself +felt as such to him who has done the wrong. +.ALD 6p +\# +\# The next line is set quad right, nofill mode, 1/2 point smaller +\# than the preceding text (using the \*S[...] inline escape. +\# +.RIGHT +\*S[-.5]\(emEdgar Allen Poe, \*[IT]The Cask of Amontillado\*[PREV]\*S[+.5] +.SP \" Extra linespace +.IBX \" Disable "indent both" +\# +\# The passage above, while acceptable in a longer document, exhibits a +\# few typographic flaws. The shape of the right margin rag exhibits +\# a decided "rounded" appearance. The word "I" stands alone at the +\# end of the third line. The space between the 1st and 2nd sentences +\# ("...revenge. You...") is too large, owing to the letter "Y" that +\# begins the 2nd sentence. The spacing between "A wrong..." (line 6) +\# is equally too large because of the way "A" and "w" fit together. +\# The em-dash before Edgar isn't vertically centered with the letter "E". +\# And so on. The most important correction below is fixing the rag +\# so that longer and shorter lines alternate. This is accomplished by +\# manually breaking lines and then slightly lengthening and shortening +\# them until a pleasing rag is achieved. The remainder of the little +\# flaws are fixed with inline escapes. +\# +.FT B +.PS -1 +.LEFT +The same passage, \*[BU4]"massaged" +.ALD .5v +.FT R +.PS +1 +.QUAD LEFT +.HY OFF \" Turn automatic hyphenation off +.BR_AT_LINE_KERN \" Automatically insert a line break (.BR) with each invocation of .RW and .EW +.WS +1 \" Increase word space slightly +.IB \" Turn "indent both" back on; values are the same as before +\# +\# +The thousand injuries of Fortunato I had borne as I best could; but +when he ventured upon insult, I \*[BU2]vowed revenge. \*[BU4]Y\*[BU6]ou, +\*[BU4]who so \*[BU2]well know the nature +.EW .2 +of my soul, \*[BU2]will not suppose, however, that I gave utterance to +a threat. \*[IT]At +.EW .2 +length\*[PREV] I would be avenged; this was a point definitively +settled\(embut the +.EW .2 +v\*[BU1]ery definitiveness with which it was resolved, precluded the idea +of risk. +.EW 0 +I must not only punish, but punish with impunity. A \*[BP1]wrong is +unredressed +.EW .1 +when retribution overtakes its redresser. It is equally unredressed +when the +.RW .1 +avenger fails to make himself felt as such to him \*[BU2]who has done +the wrong. +.RW 0 +.WS +0 \" Restore normal wordspacing +.ALD 6p +.PS -.5 +.RIGHT +\*[RLD1.5]\(em\*[ALD1.5]\*[BP3]Edgar \*[BP1]Allen Poe, \*[IT]The Cask of Amontillado\*[PREV] +.IX CLEAR \" Cancel and clear stored values of all indents +\# +\# +.NEWPAGE \" Start a new page +.T_MARGIN 1i \" Set top margin to 1i (approx. equivalent to .ALD |1i-1v above +\# +\# +.FAM T +.FT B +.PS 12 +.LS 14 +.LEFT +Example 3: +.ALD .25v +.UNDERSCORE 3.75p "A \*[BU2]recipe for enumerated lists using indents" +.SP \" Add an extra line space +.FAM N \" New Century Schoolbook family +.FT R +.PS 11 +.LS 13 +.HY \" Turn hyphenation back on +.JUSTIFY \" Justify text +This example demonstrates the use of left and hanging indents for +simple enumerated lists. Nested lists are possible, as the example +shows; however, the more complex the nesting, the wiser it becomes +to use (string) tabs, as seen in Example 4. +\# +\# +.JUSTIFY \" Justify text +.IL \w'\0.\0' \" Establish a left indent equal to the width of 2 figure spaces plus a period. +.HI \w'\0.\0' \" Establish a hanging indent equal to the size of the left indent. +.ALD 6p +\# +\# +1.\0This is the first item in the list. N\*[BU2]otice how the first line +"hangs" back from the remaining text, which is otherwise +indented by the width of by two figure-spaces (digit-width +spaces) and a period. +.BR +.HI \" Notice that HI doesn't require an argument once the value's been set +.ALD 6p +2.\0This is the second item in the list. As with the above item, +notice the use of the \*[BU8]\\0 escape sequence in the input text. It's +there to ensure that the space after the number/period combination +always remains the same (i.e. doesn't stretch when the line is +justified). That way, the text of each item always lines up perfectly. +\# +\# +.COMMENT +Now we're going to set a bullet-point list, indented from the text +above by 1 pica. IL arguments are always added to whatever value +is in already effect for IL, hence all we have to do is tell mom to +indent (from the current left indent) 1 pica plus the width of the +bullet character ( \(bu ). \*[FP3] puts three points of space after +the bullet so that the bullet and the text are visually separated. +.COMMENT OFF +\# +\# +.IL 1P+\w'\(bu\*[FP3]' +\# +\# Hanging indents are always relative to the current left indent. +\# The additional 1-pica indent, above, already having been taken +\# care of, we only want to hang the first lines of bullet list items +\# back by the width of the bullet character plus its 3 extra +\# points of space. +\# +.ALD 6p +.HI \w'\(bu\*[FP3]' +\*[ALD1]\(bu\*[RLD1]\*[FP3]This is the first line of a sublist with bullets. +N\*[BU2]otice how the first line (the one with the bullet) is indented +exactly one pica from the text of the list item above it, while the +remaining lines align with the left indent we set above. +.ALD 6p +.HI +\*[ALD1]\(bu\*[RLD1]\*[FP3]This is the second item of the sublist with bullets. \*[BU4]We +could go on indefinitely, but let's go back to the top level (numbered) +list... +\# +\# The easiest way to return to a previous indent value is by subtraction. +\# The argument to IL, above, was 1P+\w'\(bu\*[FP3]', so we just reverse +\# it by putting a minus sign in front. The parentheses are required +\# for groff to evaluate the expression properly. +\# +.IL -(1P+\w'\(bu\*[FP3]') +.HI \w'\0.\0' \" Reset hanging indent for use with numbered items. +.ALD 6p +3.\0...and here we are. +.HI \" Again, notice that once HI has been set, you don't have to keep passing it an argument. +.ALD 6p +4.\0In order not to make the example too long, we'll stop here. +.IX CLEAR \" Dont' forget to cancel and/or clear indents! +\# +\# +.FAM T +.FT B +.PS 12 +.LS 14 +.LEFT +.SP +\# +\# +Example 4: +.ALD .25v +.UNDERSCORE 3.75p "A \*[BU2]recipe for nested lists using string tabs" +.SP +.FAM N +.FT R +.PS 11 +.LS 13 +.JUSTIFY +Although setting up string tabs is a bit more complex than setting +up indents, it's \*[BU3]well worth the effort, especially for nested lists. +.ALD 6p +\# +.COMMENT +The PAD line, below, sets up two string tabs. The first (ST1) +is exactly the length of two figure spaces and a period. The +second (ST2) is simply "the remainder of the line." +.COMMENT OFF +\# +.SILENT +.PAD "\*[ST1]\0.\0\*[ST1X]\*[ST2]#\*[ST2X]" +.ST 1 L \" String tabs must be "set" after being marked off in a line +.ST 2 J \" ST 1 will be set flush left, nofill; ST 2 will be justified. +.SILENT OFF +\# +\# +.TB 1 +1. +.TN \" Use .TN here so text stays on the same baseline as the number in tab 1 +This is the first item in the list. N\*[BU2]otice how, just as in Example 3, +the first line hangs back from the remaining text, which is otherwise +indented. +.ALD 6p +.TB 1 +2. +.TN +This is the second item in the list. N\*[BU2]otice that when setting "lists" +with tabs, there's no need to use the \*[BU8]\\0 escape sequence after +the number/period combination in the input text. +.ALD 6p +\# +.COMMENT +Now, set up the indented bullet-point sublist. The PAD line +says: move forward 12 points (1 pica), then mark off a string +tab (ST3) that's the length of the bullet character; move foward +another three points, then make the next string tab (ST4) the +length of remainder of the line. +.COMMENT OFF +\# +.SILENT +.PAD "\*[FP12]\*[ST3]\(bu\*[ST3X]\*[FP3]\*[ST4]#\*[ST4X]" +.ST 3 L +.ST 4 J +.SILENT OFF +.ALD 6p +.TB 3 +\*[ALD1]\(bu\*[RLD1] +.TN +This is the first line of a sublist with bullets. N\*[BU2]otice how the +bullets and the text line up exactly the same as in Example 3. +.ALD 6p +.TB 3 +\*[ALD1]\(bu\*[RLD1] +.TN +This is the second item of the sublist with bullets. For the fun of +it, lets add in an +.SPREAD +en-dashed sub-sublist. +.BR \" We're in a fill mode right now, so you *must* terminate the line with BR +\# +\# +.SILENT +.PAD "\*[FP12]\*[ST5]\(en\*[ST5X]\*[FP4]\*[ST6]#\*[ST6X]" +.ST 5 L +.ST 6 J +.SILENT OFF +.ALD 6p +.TB 5 +\*[RLD.75]\(en\*[ALD.75] +.TN +Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam +nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, +sed diam voluptua. +.ALD 6p +.TB 5 +\*[RLD.75]\(en\*[ALD.75] +.TN +At \*[BU3]vero eos et accusam et justo duo dolores et ea rebum. Stet clita +kasd gubergren, no sea takimata sanctus est lorem ipsum dolor sit amet. +.ALD 6p +.TB 1 +3. +.TN +And here we are, back at the top-level numbered list with a minimum +of muss and fuss, +.ALD 6p +.TB 1 +4. +.TN +Generally speaking, once you get the hang of string tabs and the +\*[BD]PAD\*[PREV] macro, you'll find setting up complex nested lists +(or anything similar to them) easier than with hanging indents. +.TQ +\# +.NEWPAGE +.FAM T +.FT B +.PS 12 +.LS 14 +.LEFT +Example 5: +.ALD .25v +.UNDERSCORE 3.75p "Word spacing" +.ALD 8p +.FAM P \" Palatino family +.PS 11 +.LS 14 +\# +\# The "label" lines for the following are set in Helvetica bold, one +\# point smaller than the examples themselves. This demonstrates the +\# use of the groff inline escape \f[...] to change both family and +\# font inline. It also shows using the mom inline \*S[...]. +\# +\f[HB]\*S[-1]Normal word spacing\*S[+1]\*[PREV] +.FT R +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]2\*S[+1]\*[PREV] +.FT R +.WS +2 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS +0 +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]4\*S[+1]\*[PREV] +.FT R +.WS +4 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS +0 +.ALD 4p +\f[HB]\*S[-1]Word spacing adjusted by \*[RLD1]\*[BP3]+\*[ALD1]\*[BP2]6\*S[+1]\*[PREV] +.FT R +.WS +6 +N\*[BU1]o\*[BU1]w \*[BU1]is the time for all good men to come to the aid of the party. +.WS +0 +.SP 1.5v +\# +\# +.FAM T +.FT B +.PS 12 +.LS 14 +.LEFT +Example 6: +.ALD .25v +.UNDERSCORE 3.75p "Line kerning" +.ALD 8p +.FAM P \" Palatino family +.FT R +.PS 11 +.LS 15 +\# +\# Here, we set up some tabs so the examples can go into facing columns. +\# +.TAB_SET 1 0 19.5P L +.TAB_SET 2 19.5P 19.5P L +\# +\# +.MCO \" Turn multi-columns on +.TB 1 +\f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV] +.FT R +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "tightened" \(en .RW .1\*S[+1]\*[PREV] +.RW .1 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\# +\# In the next line, notice that because it uses a different family +\# (Helvetica instead of Palatino), the RW macro doesn't affect it. +\# +\f[HB]\*S[-1]Line "tightened" \(en .RW .2\*S[+1]\*[PREV] +.RW .2 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "tightened" \(en .RW .3\*S[+1]\*[PREV] +.RW .3 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.MCR +.TB 2 +\f[HB]\*S[-1]Unkerned line\*S[+1]\*[PREV] +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \(en .EW .1\*S[+1]\*[PREV] +.EW .1 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \(en .EW .2\*S[+1]\*[PREV] +.EW .2 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.ALD 4p +\f[HB]\*S[-1]Line "loosened" \(en .EW .3\*S[+1]\*[PREV] +.EW .3 +"But this is \*[IT]important!\/"\*[PREV]she exclaimed. +.MCX 1.5v +\# +\# +.FAM T +.FT B +.PS 12 +.LS 14 +.LEFT +Example 7: +.ALD .25v +.UNDERSCORE 3.75p "Cutaround using left\*[FU2]/right indents, multi columns \ +and a dropcap" +.SP +\# +\# +.FT R +.PS 11 +.LS 12 +.BR_AT_LINE_KERN OFF \" In justified text, it's best to have this OFF +\# +\# +.TS 1 0 18.5P J \" TS is an alias for TAB_SET +.TS 2 20.5P 18.5P J +.MCO +.ALD 5P+9p +.PSPIC penguin.ps +.MCR +.TAB 1 +.DROPCAP_FONT B +.DROPCAP L 3 COND 80 +.EW .2 +orem ipsum dolor sit amet, consetetur sa\%dip\%scing elitr, sed diam +nonumy eir\%mod tempor invidunt ut labore et dolore magna aliquyam erat, +sed diam voluptua. +.EW 0 +.TI 1P +At vero eos et accusam et justo duo dolores et ea rebum. Stet clita +kasd gubergren, no sea taki- +.SPREAD \" Force justify preceding line before starting indent +.IR 3.5P +kimata sanctus est lorem ipsum dolor sit amet. +Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam +nonumy eirmod tempor. +.EW .2 +.TI +Invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. +At +.EW 0 +vero eos et accusam et justo duo dolores et ea rebum. +.TI +Stet clita kasd gubergren, no sea ta- +.SPREAD \" Force justify preceding line before quitting indent +.IRX +kimata sanctus est lorem ipsum dolor sit amet. Lorem ipsum dolor +sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor +in\%vi\%dunt ut labore et dolore magna aliquyam erat. Sed diam voluptua, +at vero eos et accusam et justo duo +.SPREAD +.EW .3 +dolores et ea rebum. Stet clita no kasd guber- +.SPREAD +.MCR +.TB 2 +gren, no sea takimata sanctus est lorem ipsum +.EW 0 +dolor sit amet. Consetetur sadipscing elitr, sed diam nonumy eirmod +tempor invidunt ut labore et dolore. +.TI +Magna aliquyam erat, sed diam voluptua, at vero eos et accusam. +Et justo duo dolores et ea +.SPREAD +.IL 3.5P +rebum, stet clita kasd gubergren. No sea +takimata sanctus est, lorem ipsum dolor sit amet. +.TI +Sit amet, consetetur sadipscing elitr, sed diam. Nonumy eirmod tempor +in\%vi- +.EW .3 +dunt ut labore et dolore magna. Ali- +.EW 0 +quyam erat sed diam voluptua. +At vero eos et accusam et justo duo dolores et ea rebum stet. +.ILX +.TI +Dolores et ea rebum stet clita kasd gubergren, no sea takimata +sanctus. Sadipscing elitr sed diam, nonumy eirmod tempor, invidunt +ut labore et dolore magna aliquyam erat. Sed diam voluptua, at vero +eos et accusam et justo duo dolores et ea rebum. |